Days 4–6 · User-tested order ledger
Day 4–6 orders: larger print runs while the studio gets less forgiving
Late-game requests add larger print counts and USB handoffs while anomaly pressure rises. The order itself stays your checklist; stock and reports become the time pressure.
Day 4: a full-body camera job and a USB print
| Customer | Route | Format | Output | Count |
|---|---|---|---|---|
| Rideshare woman | Camera | Portrait · 2 × 3 | Full-body shot | 6 |
| Confetta | USB | – · 4 × 6 | Weekend photo set | 1 each |
Day 5: reserve stock for the large jobs
The two tested Day 5 camera requests are an eight-print portrait for the self-styled king of photography and six landscape 3 × 4 prints for Miss Maple. Do not enter either with a nearly empty paper supply.
| Customer | Format | Size | Count |
|---|---|---|---|
| King of photography | Portrait | 3 × 4 | 8 |
| Miss Maple | Landscape | 3 × 4 | 6 |
Keep the quota visible
The tested route records Day 5 as the final chance to complete the anomaly quota, requiring four reports. If you are short, recheck the bathroom, alley, and bedroom rather than guessing at the printer or camera settings.
Day 6: final monitoring task
The materials record a CAM_RED USB monitoring task at the finale. It uses the same tested USB pattern: Format shown as a dash, a 4 × 6 monitoring image, and 1 each. The final outcome follows the route’s completed quota rather than a new normal studio shift.
- Source
- CAM_RED monitoring image
- Route
- USB
- Format
- –
- Print size
- 4 × 6
- Print count
- 1 each